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Testing and analysis with maintenance completed in 2012 with funding from Richard and Carole Rifkind through the Norman and Rosita Winston Foundation. The unveiling of this painting in 1518 on the high altar of the major Franciscan church in Venice was an important public event, confirming Titian’s position as the leading artist of the city. [...]
Published in 2012 by Marcianum Press with funding from various Venetian institutions including a contribution from Ronald Lee Fleming through the Boston Chapter of Save Venice This monograph published by Marcianum Press is dedicated to the Venetian church of Santi Giovanni e Paolo, known as the ‘Pantheon of the Serenissima’. Over the centuries this church [...]
Restoration completed in 2012 with funding from David and Katherine McRae through the Boston Chapter of Save Venice Inc. Paolo Veronese’s decorative cycle continues on the murals on the walls of the nave of the church. In the spandrels on either side of the arch, opening onto the presbytery Veronese depicted the dialogue of the [...]
Restoration completed in 2012 with funding from the Boston Chapter of Save Venice Inc. Paolo Veronese’s decorative cycle continues on the murals on the walls of the nave of the church. In the spandrels on either side of the arch, opening onto the presbytery Veronese depicted the dialogue of the Annunciation, with the Archangel Gabriel [...]
Restored in 2011 with funding from The James R. Dougherty, Jr. Foundation, through Beatrice Rossi-Landi, Trustee. In 1821 the Accademia Galleries acquired this painting from a church in Fontanelle, a village near Oderzo in the Treviso area of the Veneto, in exchange for a sum of money and a painting by Francesco Montemezzano from the [...]
Maintenance in 2012 with funding from The Thompson Family Foundation, Inc. with initial restoration in 1990 with funding from Lily Auchincloss. Located beneath an underpass (sottoportego) leading from Campo San Silvestro to the San Silvestro vaporetto stop on the Grand Canal, this once-hidden work of art was rediscovered under layers of grime and carbon deposits [...]
Restoration completed in 2012 with contributions from The Arthur Loeb Foundation, the Micky and Madeleine Arison Family Foundation, Richard K. Riess, Anne Fitzpatrick Cucchiaro and Stephen Cucchiaro through the Boston Chapter of Save Venice Inc., and Thomas Schumacher and Matthew White. In recognition of Prof. David Rosand’s life-long involvement with Titian’s great painting, and years of [...]
Restoration completed in 2012 with contributions from The Arthur Loeb Foundation, the Micky and Madeleine Arison Family Foundation, Richard K. Riess, Anne Fitzpatrick Cucchiaro and Stephen Cucchiaro through the Boston Chapter of Save Venice Inc., and Thomas Schumacher and Matthew White. In recognition of Prof. David Rosand’s life-long involvement with Titian’s great painting, and years of [...]
Restoration completed in 2012 with funding from Friends in Honor of Axel Hansing. In 1588, Paolo Veronese decorated the walls of the church of San Sebastiano in two techniques, pure fresco (color pigments mixed with wet plaster and applied to the wall) and tempera and oil on plaster (tempera pigments mixed with oils applied to [...]
Restoration underway in 2012 with funding from the Boston Chapter of Save Venice Inc. Paolo Veronese’s decorative cycle continues on the murals on the walls of the nave of the church. In the spandrels on either side of the arch, opening onto the presbytery Veronese depicted the dialogue of the Annunciation, with the Archangel Gabriel [...]
Restoration completed in 2012 with funding from The Thompson Family Foundation, Inc. Paolo Veronese’s decorative cycle continues on the murals on the walls of the nave of the church. In the spandrels on either side of the arch, opening onto the presbytery Veronese depicted the dialogue of the Annunciation, with the Archangel Gabriel on the [...]
Restoration completed in 2012 with funding from Carla Comelli and Marco Pecori Paolo Veronese’s decorative cycle continues on the murals on the walls of the nave of the church. In the spandrels on either side of the arch, opening onto the presbytery Veronese depicted the dialogue of the Annunciation, with the Archangel Gabriel on the [...]
Stone Organ Balcony and Side Portal Entrance, as well as the Wooden Organ Case and Framing restored in 2011. This colorful and intricately carved Side Portal Entrance and Organ Balcony was completed by Jacopo Sansovino around 1530 for the church of San Salvador. The statues of Saint Jerome and Saint Lorenzo are attributed to Sansovino’s [...]
